This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

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This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

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This session is ideal for MIT researchers and students with borrowing privileges who want faster, easier access to scholarly literature.

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Bio: Felwine Sarr is a Senegalese academic and writer. He is Anne-Marie Bryan Distinguished Professor of Romance Studies and African & African American Studies at Duke University in North Carolina, after teaching at the Université Gaston Berger in Saint-Louis, Senegal, where he is Professeur Titulaire des Universités and agrégé in economics. His academic work focuses on economics, the ecology of knowledge, contemporary African philosophy, economic policy, epistemology, economic anthropology, and the history of religious ideas. He has published Dahij (Gallimard 2009), 105 Rue Carnot (Mémoire d'Encrier 2011), Méditations Africaines (Mémoire d'Encrier 2012), Afrotopia (Philippe Rey, 2016), Ishindenshin (Mémoire d'Encrier, 2017), Habiter le Monde (Mémoire d'Encrier, 2017), Ecrire l'Afrique-monde (collective work co-edited with Achille Mbembe, Philippe Rey/Jimsaan, 2017), Restituer le patrimoine Africain (Philippe Rey/Seuil, 2018) with Bénédicte Savoy, Politique des Temps (co-edited with Achille Mbembe, Philippe Rey/Jimsaan 2019), La Saveur des derniers mètres (Philippe Rey, 2021), Traces (Actes Sud, 2021, translation into Wolof Watit, 2023, éditions EJO), l'Économie à venir (Les liens qui Libèrent, 2021) with Gaël Giraud, Les Lieux qu'Habitent mes Rêves (Gallimard, 2022) and Le Bouddhisme est né á Colobane (Philippe Rey /Jimsaan, 2024).

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Felwine Sarr est universitaire sénégalais et écrivain. Il est Anne-Marie Bryan Distinguished Professeur d’études Romanes et d’études africaines et afro-américaines à l’Université de Duke en Caroline du Nord après avoir enseigné à l’Université Gaston Berger de Saint-Louis au Sénégal où il est Professeur Titulaire des Universités et agrégé en économie. Ses travaux académiques portent sur l’économie, l’écologie des savoirs, la philosophie contemporaine africaine, les politiques économiques, l’épistémologie, l’anthropologie économique et l’histoire des idées religieuses.

Il a publié à ce jour, Dahij (Gallimard 2009), 105 Rue Carnot (Mémoire d’Encrier 2011), Méditations Africaines (Mémoire d’Encrier 2012), Afrotopia (Philippe Rey, 2016), Ishindenshin (Mémoire d’Encrier, 2017), Habiter le Monde (Mémoire d’Encrier, 2017), Ecrire l’Afrique-monde (ouvrage collectif codirigé avec Achille Mbembe, Philippe Rey/Jimsaan, 2017), Restituer le patrimoine Africain (Philippe Rey/Seuil, 2018) avec Bénédicte Savoy, Politique des Temps (codirigé avec Achille Mbembe, Philippe Rey/Jimsaan 2019), La Saveur des derniers mètres (Philippe Rey, 2021), Traces (Actes Sud, 2021, traduction en wolof Watit, 2023, éditions EJO), l’Économie à venir (Les liens qui Libèrent, 2021) avec Gaël Giraud, Les Lieux qu’Habitent mes Rêves (Gallimard, 2022) et Le Bouddhisme est né á Colobane (Philippe Rey /Jimsaan, 2024).

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Collaborative Piano Studio Recital

Mi-Eun Kim, coach

Wednesday, April 22, 2026 6 pm Killian Hall

The Collaborative Piano Studio Recital will feature Schumann’s Frauenliebe und Le Ben, Franck’s Violin Sonata, Orbán’s Bassoon Sonata, and Mozart Violin sonata, performed by students Lani Lee, Sonny Young, James Chen, Aryan Bora, and Eric Shen, with guest violin faculty member Li-Mei Liang and faculty pianist Mi-Eun Kim.

Please note that this event is in-person only and will not be livestreamed.

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This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

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Featuring

Oliver Rollins, Professor, MIT STS

David S. Jones, Professor of the Culture of Medicine at Harvard University

Usha Lee McFarling, Director of KSJ

Reception to Follow

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Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Performers

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

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Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Performers

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

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Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Performers

Lani Lee is a PhD student in Mechanical Engineering researching cell mechanics in the group of Prof. Ming Guo. She has studied with Dr. Kerry Deal in the MIT Emerson/Harris Program since starting graduate school. As an Emerson/Harris Fellow, she presented a solo recital of art songs by Falla, Brahms, Fauré, Hahn, and Vaughan Williams. She minored in Music as an undergraduate at MIT. In her first year, she discovered her love of singing with Concert Choir and served as an officer for many years. She was featured as a soloist for J.S. Bach’s Magnificat and Beethoven’s Mass in C Major with Concert Choir, as well as J.S. Bach’s Lutheran Mass in A Major, BWV 234, and Weinen, Klagen, Sorgen, Zagen, BWV 12 with Chamber Chorus. She is also the winner of the John Oliver Choral Award in 2022. Outside of MIT, she sings with the Tanglewood Festival Chorus, the mixed-voice symphonic choir of the Boston Symphony Orchestra and Boston Pops, and writes occasional concert critique pieces for the Boston Classical Review. Lani has also enjoyed exploring music with other amazing opportunities on campus, such as Chamber Music Society, Collaborative Piano, Rambax (Senegalese Drum Ensemble), Ribotones, Next Act, and Musical Theatre Guild. With the thriving music community at MIT, she helped present CAMIT-funded concert performances with Pocket Opera Productions, where she sang the roles of Tisbe in Rossini’s La Cenerentola and Maddalena in Verdi’s Rigoletto. Outside of music, she enjoys hiking, activities involving water in any state of matter (SCUBA, sailing, ice skating, skiing), maintaining her various fermented goods (kimchi, kombucha, sourdough), and food (baking, cooking, eating).

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

View on site | Email this event

Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

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Date: Monday (except holidays)

Time: 4:15pm – 5:45pm

Location: Building 14, Room 14N-417

Come by for snacks & tea with Literature Section friends, instructors, & students!

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

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This is a small-group discussion based on themes from the award-winning book Everything I Never Told You by Celeste Ng. People who have not read the book but are interested in the discussion are welcome and encouraged to participate. Ebook and physical copies of the book can be found at the MIT Libraries.

This event will take place in The Nexus (14S-130) located in side Hayden Library.

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LIVESTREAM LINK

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This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

View on site | Email this event

Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Performers

Olivia Beniston is a graduate student earning her Masters in Chemical Engineering Practice. She previously obtained her B.S. in Chemical-Biological Engineering at MIT. She has studied piano with Eileen Huang in the Emerson Scholar Program for the past five years, and has performed works by Brahms, Mozart, Schubert, Mendelssohn, Rachmaninoff, Liszt, Debussy and Ravel. In addition to her studies, she played piano for the MIT Symphony Orchestra and is active in the Chamber Music Society.Olivia began studying piano at age 8 with Jill Telesco and continued studying with her throughout middle school and high school. She was also highly involved with music in her high school, performing violin with their Symphonic and Chamber Orchestras and serving as the school’s concert accompanist all four years. She has competed and won prizes at the Young Musicians Festival, The Schubert Club of Fairfield, the Crescendo Competition, and has performed at the Weill Recital Hall in Carnegie Hall. She furthered her devotion to music at the Royal Conservatory of Music, receiving top marks in her level 10 performance, history, and harmony and counterpoint exams.Olivia will be wrapping up her time at MIT in the fall, where she will complete practice school at various industries. In her free time, Olivia enjoys completing puzzle books, planning events, and exploring Boston.

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

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Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Performers

Sophia Cai is a senior at MIT majoring in computer science and molecular biology and minoring in music. She started flute at the age of ten and currently studies with Sue-Ellen Hershman-Tcherepnin through the MIT Emerson/Harris Scholarship program, having previously studied with Diane Horban and Hideko Amano of the Midwest Young Artists Conservatory. At MIT, Sophia has been part of the MIT Symphony Orchestra and the Institooters, MIT’s IAP flute ensemble. In the past, she has been a member of the Illinois Music Education Association All-State Band. Outside of music, Sophia conducts biomedical research in the Koch Institute and enjoys reading and writing.

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

View on site | Email this event

Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Performers

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

View on site | Email this event

Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

View on site | Email this event

Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

View on site | Email this event

Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

View on site | Email this event

Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

View on site | Email this event

Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

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Program TBD

Please note that this event is in-person only and will not be livestreamed.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

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Date: Monday (except holidays)

Time: 4:15pm – 5:45pm

Location: Building 14, Room 14N-417

Come by for snacks & tea with Literature Section friends, instructors, & students!

View on site | Email this event

Program TBD

Please note that this event is in-person only and will not be livestreamed.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

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160 Memorial Dr, Cambridge, MA

Celebrated Argentine composer, arranger, pianist, and Solar Return for Change guest artist Guillermo Klein discusses his new work for the MIT Wind Ensemble, Guitierra, and rehearses his music with the MIT Festival Jazz Ensemble.

This event is sponsered by the Center for Arts, Science, and Technology.

Free and open to the public; No tickets necessary

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

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View on site | Email this event

Thursday, May 7, 2026 /5:00–6:00pm

MIT Killian Hall (14W-111)

160 Memorial Dr, Cambridge, MA

Acclaimed environmentalist and Solar Return for Change guest author and environmentalist Bill McKibben discusses his new book Here Comes the Sun—A Last Chance for the Climate and a Fresh Chance for Civilization. In this call to harness the power of the sun, McKibben shares his positive message about how we can rewrite our scientific, economic, and political future.

Registration Reguired on Eventbrite

More about Here Comes the Sun

More about Bill McKibben

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MIT Killian Hall (14W-111)

160 Memorial Dr, Cambridge, MA

Renowned jazz guitarist and Solar Return for Change guest artist Ben Monder has enjoyed an illustrious career as a soloist and sideman for over thirty years. Currently a member of The Bad Plus, Monder has performed with Lee Konitz, Jack McDuff, Toots Thielemans, Guillermo Klein, Miguel Zenón, Maria Schneider, and Kendra Shank, among others.

This event is sponsored by the Cener for Arts, Science, and Technology.

Free and open to the public; No tickets necessary

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Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Performers

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

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Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Performers

Catherine Kung is a senior at MIT majoring in biological engineering and computation & cognition. Originally from Birmingham, Alabama, she began playing the violin at age six and studied with Professor Jenny Grégoire. She currently studies with Sarita Uranovsky through the Emerson/Harris Program (E/HP) at MIT. Previously, she was a member of the Alabama Symphony Youth Orchestra and All-State Orchestra for several years, performed solo at Carnegie Hall, was the state winner of the MTNA Competition, and led her high school’s chamber music student group. She has been part of E/HP and the Chamber Music Society since Fall 2022, and outside of classes, she enjoys exploring Boston and watching movies with friends. After graduation, Catherine plans to pursue a PhD in medical engineering.

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

View on site | Email this event

Livestream: https://mta.mit.edu/viewlisten/live-killian-hall

About the Performers

About the Emerson/Harris Program for Private Study

Support for private musical study is available for students through the Emerson/Harris Program (E/HP), which offers merit-based financial awards for outstanding achievement on instruments or voice in classical, jazz, or world music. Each academic year, the program awards Scholarships and Fellowships to nearly seventy students who commit to a full year’s study and participate in the musical life of MIT.

Auditions for the program are held at the beginning of each academic year. Private teacher selections, made in consultation with the E/HP jury heads, may include instructors from MIT staff and throughout Greater Boston. The Emerson/Harris Program is funded by the late Mr. Cherry L. Emerson, Jr. (SM, 1941), in response to an appeal from AssociateProvost Ellen T. Harris (Class of 1949 Professor Emeritus of Music). The Emerson/Harris Masterclass Series is supported, in part, by the Robert L. Malster (1956) Fund.

View on site | Email this event

Program TBD

Please note that this event is in-person only and will not be livestreamed.

View on site | Email this event

Program TBD

Please note that this event is in-person only and will not be livestreamed.

View on site | Email this event

Program TBD

Please note that this event is in-person only and will not be livestreamed.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

View on site | Email this event

This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.

Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

View on site | Email this event