BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:Parsing the Universe: Paintings by Jane Goldman X-WR-TIMEZONE:Eastern Time (US & Canada) BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283038 DTSTART:20190123T130000Z DTEND:20190123T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283039 DTSTART:20190124T130000Z DTEND:20190124T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283040 DTSTART:20190125T130000Z DTEND:20190125T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283041 DTSTART:20190128T130000Z DTEND:20190128T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283042 DTSTART:20190129T130000Z DTEND:20190129T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283043 DTSTART:20190130T130000Z DTEND:20190130T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283044 DTSTART:20190131T130000Z DTEND:20190131T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283045 DTSTART:20190201T130000Z DTEND:20190201T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283046 DTSTART:20190204T130000Z DTEND:20190204T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283047 DTSTART:20190205T130000Z DTEND:20190205T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283048 DTSTART:20190206T130000Z DTEND:20190206T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283049 DTSTART:20190207T130000Z DTEND:20190207T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283050 DTSTART:20190208T130000Z DTEND:20190208T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283051 DTSTART:20190211T130000Z DTEND:20190211T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283052 DTSTART:20190212T130000Z DTEND:20190212T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283053 DTSTART:20190213T130000Z DTEND:20190213T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283054 DTSTART:20190214T130000Z DTEND:20190214T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283055 DTSTART:20190215T130000Z DTEND:20190215T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283056 DTSTART:20190218T130000Z DTEND:20190218T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283057 DTSTART:20190219T130000Z DTEND:20190219T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283058 DTSTART:20190220T130000Z DTEND:20190220T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283059 DTSTART:20190221T130000Z DTEND:20190221T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283060 DTSTART:20190222T130000Z DTEND:20190222T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283061 DTSTART:20190225T130000Z DTEND:20190225T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283062 DTSTART:20190226T130000Z DTEND:20190226T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283063 DTSTART:20190227T130000Z DTEND:20190227T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283064 DTSTART:20190228T130000Z DTEND:20190228T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283065 DTSTART:20190301T130000Z DTEND:20190301T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283066 DTSTART:20190304T130000Z DTEND:20190304T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283067 DTSTART:20190305T130000Z DTEND:20190305T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283068 DTSTART:20190306T130000Z DTEND:20190306T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283069 DTSTART:20190307T130000Z DTEND:20190307T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283070 DTSTART:20190308T130000Z DTEND:20190308T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283071 DTSTART:20190311T120000Z DTEND:20190311T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283072 DTSTART:20190312T120000Z DTEND:20190312T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283073 DTSTART:20190313T120000Z DTEND:20190313T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283074 DTSTART:20190314T120000Z DTEND:20190314T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283075 DTSTART:20190315T120000Z DTEND:20190315T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283076 DTSTART:20190318T120000Z DTEND:20190318T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283077 DTSTART:20190319T120000Z DTEND:20190319T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283078 DTSTART:20190320T120000Z DTEND:20190320T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283079 DTSTART:20190321T120000Z DTEND:20190321T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283080 DTSTART:20190322T120000Z DTEND:20190322T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283081 DTSTART:20190325T120000Z DTEND:20190325T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283082 DTSTART:20190326T120000Z DTEND:20190326T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283083 DTSTART:20190327T120000Z DTEND:20190327T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283084 DTSTART:20190328T120000Z DTEND:20190328T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283085 DTSTART:20190329T120000Z DTEND:20190329T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283086 DTSTART:20190401T120000Z DTEND:20190401T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283087 DTSTART:20190402T120000Z DTEND:20190402T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283088 DTSTART:20190403T120000Z DTEND:20190403T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283089 DTSTART:20190404T120000Z DTEND:20190404T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283090 DTSTART:20190405T120000Z DTEND:20190405T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283091 DTSTART:20190408T120000Z DTEND:20190408T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283092 DTSTART:20190409T120000Z DTEND:20190409T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283093 DTSTART:20190410T120000Z DTEND:20190410T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283094 DTSTART:20190411T120000Z DTEND:20190411T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283095 DTSTART:20190412T120000Z DTEND:20190412T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283096 DTSTART:20190415T120000Z DTEND:20190415T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283097 DTSTART:20190416T120000Z DTEND:20190416T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283098 DTSTART:20190417T120000Z DTEND:20190417T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283099 DTSTART:20190418T120000Z DTEND:20190418T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283100 DTSTART:20190419T120000Z DTEND:20190419T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283101 DTSTART:20190422T120000Z DTEND:20190422T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283102 DTSTART:20190423T120000Z DTEND:20190423T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283103 DTSTART:20190424T120000Z DTEND:20190424T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283104 DTSTART:20190425T120000Z DTEND:20190425T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283105 DTSTART:20190426T120000Z DTEND:20190426T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283106 DTSTART:20190429T120000Z DTEND:20190429T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283107 DTSTART:20190430T120000Z DTEND:20190430T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283108 DTSTART:20190501T120000Z DTEND:20190501T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283109 DTSTART:20190502T120000Z DTEND:20190502T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283110 DTSTART:20190503T120000Z DTEND:20190503T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283111 DTSTART:20190506T120000Z DTEND:20190506T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283112 DTSTART:20190507T120000Z DTEND:20190507T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283113 DTSTART:20190508T120000Z DTEND:20190508T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283114 DTSTART:20190509T120000Z DTEND:20190509T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283115 DTSTART:20190510T120000Z DTEND:20190510T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283116 DTSTART:20190513T120000Z DTEND:20190513T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283117 DTSTART:20190514T120000Z DTEND:20190514T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283118 DTSTART:20190515T120000Z DTEND:20190515T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283119 DTSTART:20190516T120000Z DTEND:20190516T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283120 DTSTART:20190517T120000Z DTEND:20190517T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283121 DTSTART:20190520T120000Z DTEND:20190520T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283122 DTSTART:20190521T120000Z DTEND:20190521T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283123 DTSTART:20190522T120000Z DTEND:20190522T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283124 DTSTART:20190523T120000Z DTEND:20190523T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283125 DTSTART:20190524T120000Z DTEND:20190524T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283126 DTSTART:20190527T120000Z DTEND:20190527T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283127 DTSTART:20190528T120000Z DTEND:20190528T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283128 DTSTART:20190529T120000Z DTEND:20190529T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135728Z UID:tag:localist.com\,2008:EventInstance_4283129 DTSTART:20190530T120000Z DTEND:20190530T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283130 DTSTART:20190531T120000Z DTEND:20190531T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283131 DTSTART:20190603T120000Z DTEND:20190603T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283132 DTSTART:20190604T120000Z DTEND:20190604T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283133 DTSTART:20190605T120000Z DTEND:20190605T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283134 DTSTART:20190606T120000Z DTEND:20190606T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283135 DTSTART:20190607T120000Z DTEND:20190607T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283136 DTSTART:20190610T120000Z DTEND:20190610T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283137 DTSTART:20190611T120000Z DTEND:20190611T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283138 DTSTART:20190612T120000Z DTEND:20190612T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283139 DTSTART:20190613T120000Z DTEND:20190613T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283140 DTSTART:20190614T120000Z DTEND:20190614T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283141 DTSTART:20190617T120000Z DTEND:20190617T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283142 DTSTART:20190618T120000Z DTEND:20190618T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283143 DTSTART:20190619T120000Z DTEND:20190619T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283144 DTSTART:20190620T120000Z DTEND:20190620T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283145 DTSTART:20190621T120000Z DTEND:20190621T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283146 DTSTART:20190624T120000Z DTEND:20190624T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283147 DTSTART:20190625T120000Z DTEND:20190625T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283148 DTSTART:20190626T120000Z DTEND:20190626T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283149 DTSTART:20190627T120000Z DTEND:20190627T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283150 DTSTART:20190628T120000Z DTEND:20190628T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283151 DTSTART:20190701T120000Z DTEND:20190701T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283152 DTSTART:20190702T120000Z DTEND:20190702T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283153 DTSTART:20190703T120000Z DTEND:20190703T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283154 DTSTART:20190704T120000Z DTEND:20190704T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283155 DTSTART:20190705T120000Z DTEND:20190705T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283156 DTSTART:20190708T120000Z DTEND:20190708T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283157 DTSTART:20190709T120000Z DTEND:20190709T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283158 DTSTART:20190710T120000Z DTEND:20190710T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283159 DTSTART:20190711T120000Z DTEND:20190711T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283160 DTSTART:20190712T120000Z DTEND:20190712T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283161 DTSTART:20190715T120000Z DTEND:20190715T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283162 DTSTART:20190716T120000Z DTEND:20190716T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283163 DTSTART:20190717T120000Z DTEND:20190717T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283164 DTSTART:20190718T120000Z DTEND:20190718T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283165 DTSTART:20190719T120000Z DTEND:20190719T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283166 DTSTART:20190722T120000Z DTEND:20190722T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283167 DTSTART:20190723T120000Z DTEND:20190723T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283168 DTSTART:20190724T120000Z DTEND:20190724T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283169 DTSTART:20190725T120000Z DTEND:20190725T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283170 DTSTART:20190726T120000Z DTEND:20190726T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283171 DTSTART:20190729T120000Z DTEND:20190729T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283172 DTSTART:20190730T120000Z DTEND:20190730T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283173 DTSTART:20190731T120000Z DTEND:20190731T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283174 DTSTART:20190801T120000Z DTEND:20190801T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283175 DTSTART:20190802T120000Z DTEND:20190802T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283176 DTSTART:20190805T120000Z DTEND:20190805T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283177 DTSTART:20190806T120000Z DTEND:20190806T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283178 DTSTART:20190807T120000Z DTEND:20190807T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283179 DTSTART:20190808T120000Z DTEND:20190808T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283180 DTSTART:20190809T120000Z DTEND:20190809T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283181 DTSTART:20190812T120000Z DTEND:20190812T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283182 DTSTART:20190813T120000Z DTEND:20190813T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283183 DTSTART:20190814T120000Z DTEND:20190814T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283184 DTSTART:20190815T120000Z DTEND:20190815T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283185 DTSTART:20190816T120000Z DTEND:20190816T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283186 DTSTART:20190819T120000Z DTEND:20190819T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283187 DTSTART:20190820T120000Z DTEND:20190820T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283188 DTSTART:20190821T120000Z DTEND:20190821T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283189 DTSTART:20190822T120000Z DTEND:20190822T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283190 DTSTART:20190823T120000Z DTEND:20190823T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283191 DTSTART:20190826T120000Z DTEND:20190826T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283192 DTSTART:20190827T120000Z DTEND:20190827T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283193 DTSTART:20190828T120000Z DTEND:20190828T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283194 DTSTART:20190829T120000Z DTEND:20190829T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283195 DTSTART:20190830T120000Z DTEND:20190830T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283196 DTSTART:20190902T120000Z DTEND:20190902T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283197 DTSTART:20190903T120000Z DTEND:20190903T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283198 DTSTART:20190904T120000Z DTEND:20190904T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283199 DTSTART:20190905T120000Z DTEND:20190905T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283200 DTSTART:20190906T120000Z DTEND:20190906T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283201 DTSTART:20190909T120000Z DTEND:20190909T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283202 DTSTART:20190910T120000Z DTEND:20190910T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283203 DTSTART:20190911T120000Z DTEND:20190911T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283204 DTSTART:20190912T120000Z DTEND:20190912T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283205 DTSTART:20190913T120000Z DTEND:20190913T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283206 DTSTART:20190916T120000Z DTEND:20190916T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283207 DTSTART:20190917T120000Z DTEND:20190917T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283208 DTSTART:20190918T120000Z DTEND:20190918T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283209 DTSTART:20190919T120000Z DTEND:20190919T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283210 DTSTART:20190920T120000Z DTEND:20190920T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283211 DTSTART:20190923T120000Z DTEND:20190923T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283212 DTSTART:20190924T120000Z DTEND:20190924T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283213 DTSTART:20190925T120000Z DTEND:20190925T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283214 DTSTART:20190926T120000Z DTEND:20190926T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283215 DTSTART:20190927T120000Z DTEND:20190927T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283216 DTSTART:20190930T120000Z DTEND:20190930T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283217 DTSTART:20191001T120000Z DTEND:20191001T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283218 DTSTART:20191002T120000Z DTEND:20191002T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283219 DTSTART:20191003T120000Z DTEND:20191003T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283220 DTSTART:20191004T120000Z DTEND:20191004T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283221 DTSTART:20191007T120000Z DTEND:20191007T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283222 DTSTART:20191008T120000Z DTEND:20191008T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283223 DTSTART:20191009T120000Z DTEND:20191009T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283224 DTSTART:20191010T120000Z DTEND:20191010T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283225 DTSTART:20191011T120000Z DTEND:20191011T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283226 DTSTART:20191014T120000Z DTEND:20191014T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283227 DTSTART:20191015T120000Z DTEND:20191015T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283228 DTSTART:20191016T120000Z DTEND:20191016T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283229 DTSTART:20191017T120000Z DTEND:20191017T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283230 DTSTART:20191018T120000Z DTEND:20191018T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283231 DTSTART:20191021T120000Z DTEND:20191021T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283232 DTSTART:20191022T120000Z DTEND:20191022T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283233 DTSTART:20191023T120000Z DTEND:20191023T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283234 DTSTART:20191024T120000Z DTEND:20191024T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283235 DTSTART:20191025T120000Z DTEND:20191025T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283236 DTSTART:20191028T120000Z DTEND:20191028T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283237 DTSTART:20191029T120000Z DTEND:20191029T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283238 DTSTART:20191030T120000Z DTEND:20191030T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283239 DTSTART:20191031T120000Z DTEND:20191031T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135729Z UID:tag:localist.com\,2008:EventInstance_4283240 DTSTART:20191101T120000Z DTEND:20191101T220000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283241 DTSTART:20191104T130000Z DTEND:20191104T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283242 DTSTART:20191105T130000Z DTEND:20191105T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283243 DTSTART:20191106T130000Z DTEND:20191106T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283244 DTSTART:20191107T130000Z DTEND:20191107T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283245 DTSTART:20191108T130000Z DTEND:20191108T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283246 DTSTART:20191111T130000Z DTEND:20191111T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283247 DTSTART:20191112T130000Z DTEND:20191112T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283248 DTSTART:20191113T130000Z DTEND:20191113T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283249 DTSTART:20191114T130000Z DTEND:20191114T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283250 DTSTART:20191115T130000Z DTEND:20191115T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283251 DTSTART:20191118T130000Z DTEND:20191118T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283252 DTSTART:20191119T130000Z DTEND:20191119T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283253 DTSTART:20191120T130000Z DTEND:20191120T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283254 DTSTART:20191121T130000Z DTEND:20191121T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283255 DTSTART:20191122T130000Z DTEND:20191122T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283256 DTSTART:20191125T130000Z DTEND:20191125T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283257 DTSTART:20191126T130000Z DTEND:20191126T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283258 DTSTART:20191127T130000Z DTEND:20191127T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283259 DTSTART:20191128T130000Z DTEND:20191128T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283260 DTSTART:20191129T130000Z DTEND:20191129T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283261 DTSTART:20191202T130000Z DTEND:20191202T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283262 DTSTART:20191203T130000Z DTEND:20191203T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283263 DTSTART:20191204T130000Z DTEND:20191204T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283264 DTSTART:20191205T130000Z DTEND:20191205T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283265 DTSTART:20191206T130000Z DTEND:20191206T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283266 DTSTART:20191209T130000Z DTEND:20191209T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283267 DTSTART:20191210T130000Z DTEND:20191210T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283268 DTSTART:20191211T130000Z DTEND:20191211T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283269 DTSTART:20191212T130000Z DTEND:20191212T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283270 DTSTART:20191213T130000Z DTEND:20191213T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283271 DTSTART:20191216T130000Z DTEND:20191216T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283272 DTSTART:20191217T130000Z DTEND:20191217T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283273 DTSTART:20191218T130000Z DTEND:20191218T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283274 DTSTART:20191219T130000Z DTEND:20191219T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283275 DTSTART:20191220T130000Z DTEND:20191220T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283276 DTSTART:20191223T130000Z DTEND:20191223T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283277 DTSTART:20191224T130000Z DTEND:20191224T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283278 DTSTART:20191225T130000Z DTEND:20191225T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283279 DTSTART:20191226T130000Z DTEND:20191226T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283280 DTSTART:20191227T130000Z DTEND:20191227T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283281 DTSTART:20191230T130000Z DTEND:20191230T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260811T135730Z UID:tag:localist.com\,2008:EventInstance_4283282 DTSTART:20191231T130000Z DTEND:20191231T230000Z DESCRIPTION:Parsing the Universe\, 2019\n\nCenter for Theoretical Physics\, MIT\, Cambridge\, MA\n\nArtist Statement \n\n I am fascinated by technolo gies that extend human vision\, and how the discoveries they make possible advance human understanding.\n\n Through microscopes we marvel at seeing the foundations of life\, magnified to the cellular\, molecular\, and atom ic levels\, and at the beauty and symmetry of zigzag and ribbon and star s hapes of diatoms.\n\nWe learn that things infinitesimal and colossal share shapes\, such as the golden spiral manifest in rivers seen from space and the structure of the human lung.\n\nThe Higgs Boson particle is visually akin to the energetic designs of Medieval Islamic art. Through Edgerton's stroboscopic camera we witness the nanosecond of a bullet shattering an ap ple.\n\nThrough telescopes we probe the mysteries of the cosmos: dark matt er\, dark energy\, black holes\, remote galaxies. We even transcend time a nd space\, viewing images of the early universe and the birth and death of stars. \n\nThese technologies allow the human eye to see the previously u nseen. Paradoxically\, while we base what we know on what we see\, what we see and hence what we know\, continually changes as our knowledge increas es through new technology.\n\nThe medium in the works in “Parsing the Un iverse” is watercolor monotype\, a unique print painted in watercolor on nonporous plexiglas and run through a printing press. Watercolor monotype exploits the luminosity and transparency of watercolor\, and allows for s uccessive layering options through multiple runs of the repainted plexigla s through the press. The printing process also captures the interactions o f water\, color and gravity\, including the “watery” mark.\n\nMy visu al interpretations of cosmic images depend on the technology of the printi ng press\, which\, like the microscope and telescope\, translate natural f orces (in this case\, the force of the press transferring the image from p lexi to paper)\, thus making possible images of the universe of nature\, which aim to similarly expand and enhance human understanding.\n\nJane Gol dman\, 2019 GEO:36.073628;-95.8897 LOCATION:Center for Theoretical Physics\, 3rd Floor Building 6 Art Space SUMMARY:Parsing the Universe: Paintings by Jane Goldman URL;VALUE=URI:https://calendar.mit.edu/event/Morley CATEGORIES:Exhibits END:VEVENT END:VCALENDAR